{"id":1228,"date":"2025-02-23T15:55:31","date_gmt":"2025-02-23T15:55:31","guid":{"rendered":"https:\/\/www.teaksouls.com\/johnsblog\/?p=1228"},"modified":"2025-08-22T19:34:11","modified_gmt":"2025-08-22T19:34:11","slug":"how-granulation-can-affect-mixes","status":"publish","type":"post","link":"https:\/\/www.teaksouls.com\/johnsblog\/how-granulation-can-affect-mixes\/","title":{"rendered":"How Granulation can affect Mixes"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>I want to start this segment with a challenge.&nbsp; No matter what your medium is, pick any two paints, pencils, pastels, etc. and describe the difference\/s between the two without any reference to their color. This exercise will help you understand your medium in new ways.<\/p>\n\n\n\n<p>Two paints can have essentially the same hue (color) but have other differing characteristics.&nbsp; In this experiment I will compare Cerulean Blue and Phthlocyanine Blue in terms of how they act in a mix.&nbsp;<\/p>\n\n\n\n<p>If you follow my blogs, you have seen me refer to two groups of paints in a couple of different ways.&nbsp; Classic\/Sinker vs Modern\/Floater.&nbsp; The \u2018classic\u2019 paints are those that were available before the 20<sup>th<\/sup> C, and \u2018modern\u2019 are those that originated mostly after the 1940\u2019s.&nbsp; Most of the Classic paints originate from the earth, and have larger and denser pigment particles, which makes the particles sink quickly.&nbsp; The Modern pigments, on the other hand, have relatively smaller and less dense particles that tend to stay afloat in a wash much longer.<\/p>\n\n\n\n<p>What does this mean to the watercolor artist?&nbsp; Simply put, if a Classic Sinker is mixed with a Modern Floater, the two paints will separate as they dry, producing a mix the is two-toned.&nbsp; If two Moderns are mixed, they stay mixed as they dry.&nbsp;<\/p>\n\n\n\n<p>In this experiment I use a Cerulean and a Phthlo blue, which are essentially the same color.&nbsp; The Cerulean is a Classic pigment with particles that sink very fast.&nbsp; Phthalo blue is a Modern pigment whose particles tend to stay afloat until the water in the mix is fully absorbed by the paper and\/or evaporated.&nbsp;<\/p>\n\n\n\n<p>In the following photo you can see the differences in the two paints in side-by-side swatches. Note a couple of things: 1) the Cerulean (top) granulates.&nbsp; This is common among the sinkers.&nbsp; Not all sinkers granulate, but ONLY sinkers granulate.&nbsp; 2) the Phthalo is smooth, but has a distinctive \u2018edge\u2019.&nbsp; This is what I refer to as an \u2018edging paint\u2019.&nbsp; Paints with smaller\/less dense particles tend to stay afloat in the pool of water until the water has totally absorbed\/evaporated.&nbsp; Any pool of water will have a high point in the middle and low point at the edges of the pool due to surface tension.&nbsp; This means the finest particles will gravitate to the edges of the pool.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69f8bec029f20&quot;}\" data-wp-interactive=\"core\/image\" class=\"wp-block-image aligncenter size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"268\" height=\"222\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image.jpeg\" alt=\"\" class=\"wp-image-1229\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on-async--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<p>We can see this \u2018sinking\u2019 effect quite easily if we mix the paint in a clear shot glass and let them settle.&nbsp; In the photo below I have mixed both the paints and let them sit for about 15 minutes.&nbsp; The settling is obvious. The phthalo on the left has not settled at all, while the Cerulean has almost completely settled.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"337\" height=\"283\" src=\"https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-1.jpeg\" alt=\"\" class=\"wp-image-1230\" srcset=\"https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-1.jpeg 337w, https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-1-300x252.jpeg 300w\" sizes=\"(max-width: 337px) 100vw, 337px\" \/><\/figure>\n\n\n\n<p>In the next part of the experiment, I mix both of these paints with another Modern \u2013 namely Transparent Pyrrol Orange.&nbsp; When fully mixed they both produce the same color \u2013 a grayish brown. The photo below shows a comparison of the two mixes after they dry.&nbsp; Note the obvious separation of the paints in the swatch that uses Cerulean (right) versus the homogenous mixture using the Phthalo.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"397\" src=\"https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-2.jpeg\" alt=\"\" class=\"wp-image-1231\" srcset=\"https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-2.jpeg 624w, https:\/\/www.teaksouls.com\/johnsblog\/wp-content\/uploads\/2025\/02\/image-2-480x305.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 624px, 100vw\" \/><\/figure>\n\n\n\n<p>It is easy to tell exactly where I dropped in the Cerulean mixture. Wherever I touched the paper with a loaded brush, the Cerulean went straight to the paper, while the orange separated and ended up with a fairly homogenous covering.&nbsp; With the Phthalo blue, the wash stayed mixed and smooth.&nbsp;<\/p>\n\n\n\n<p>The lesson here is simple: if you want a smooth, homogenous wash, use only modern paints.&nbsp; Their pigment will stay afloat as long as your wash is in the Flow State (water visibly moves when you tilt the paper).&nbsp; This means you can add more paint to make it stronger, or more water to make it weaker.&nbsp; In the end the mix will even out.&nbsp;<\/p>\n\n\n\n<p>On the other hand if you want a more varied wash, with a dual-color look, use a Modern mixed with a Classic.&nbsp;<\/p>\n\n\n\n<p>This example produced a very dull mix (two colors which are complements \u2013 blue and orange), but there are many more that can give you a vibrant mix.&nbsp; For example, try Ultramarine (Classic) with a Quinacridone Rose (Modern) for a vibrating violet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I want to start this segment with a challenge.&nbsp; No matter what your medium is, pick any two paints, pencils, pastels, etc. and describe the difference\/s between the two without any reference to their color. This exercise will help you understand your medium in new ways. Two paints can have essentially the same hue (color) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[10,7],"tags":[],"class_list":["post-1228","post","type-post","status-publish","format-standard","hentry","category-pigments","category-painting-techniques"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How Granulation can affect Mixes - John Duncan McLaren<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teaksouls.com\/johnsblog\/how-granulation-can-affect-mixes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Granulation can affect Mixes - John Duncan McLaren\" \/>\n<meta property=\"og:description\" content=\"I want to start this segment with a challenge.&nbsp; No matter what your medium is, pick any two paints, pencils, pastels, etc. and describe the difference\/s between the two without any reference to their color. 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